Calling something GOSSIP is a convenient way to ignore less dominant voices, trivialize conversations or demands, and maintain the status quo of power relations and norms. But GOSSIP also carries productive potential. The platform GOSSIP GOSSIP GOSSIP engages with GOSSIP as a queer strategy and tool of female knowledge production. For GOSSIP is inherently an ephemeral queer practice: a queer worldmaking and – paraphrasing Hubert Fichte – an inauthentic, indirect language. A language of solidarity (and with it an archive of oral stories) that can only be fully understood and read by those within the sphere – and to some degree by its allies.
¬ Act 2
gossip, fleeting moments, and performances
29.11. – 26.12.2021
(in front of Douglas)
Queerness, writes José Esteban Muñoz in Ephemera as Evidence, is often transmitted in secret: "Instead of being clearly available as visible evidence, queerness has instead existed as innuendo, gossip, fleeting moments, and performances (...)." Appropriating the fleeting and implicating strategies of GOSSIP allows those who are part of this sphere to interact with each other – while it evaporates when in contact with non-queer otherness. gossip, fleeting moments, and performances, act 2 of the research platform GOSSIP GOSSIP GOSSIP, places queer strategies in a series of video works in the public space along the commercialized Ku'damm – during the (shopping mad) pre-Christmas season –, and with them the "sousentendus, alienations, exaggerations, ironies, travesties" (Fichte) that characterize queer language.
The artists Jasmina Al-Qaisi, Samantha Bohatsch, Anna Ehrenstein, Laure Prouvost, and Roseline Rannoch deal with GOSSIP in up to 14 simultaneous vitrines that are otherwise reserved for advertising – expanded by a sonic activation in public space by Banu Çiçek Tülü and an audio tour by Flaneur Magazine. They all use the hidden and subversive strategies of gossip, which can be similar to the strategies of advertising, thus providing ephemeral evidence of affect, sexuality, and gender and interrupting the otherwise conventional and normative flow of advertising presented in the vitrines along Ku'damm.
gossip, fleeting moments, and performances was part of the initiative DRAUSSENSTADT, funded by the Senate Department for Culture and Europe and the Foundation for Cultural Education and Cultural Consulting. With the kind support of the Bureau des arts plastiques of the French Institute Germany and the French Culture Minister.
¬ Act 1
Gossip, Scandal and Good Manners
10. – 20.09.2021
at Görlitzer Park
For Gossip, Scandal and Good Manners, artists Samantha Bohatsch, Pêdra Costa and Özlem Özgül Dündar explore GOSSIP as a queer strategy and tool of female knowledge production on three billboards and through three performative activations. Calling something GOSSIP is a convenient way of ignoring less dominant voices, trivialising conversations or demands and maintaining the status quo of power relations and norms. But GOSSIP also carries productive potentials and is an effective means of conveying information and (temporarily) grouping peers to reflect on themselves and produce knowledge about their own history(s).
By using artistic and subversive modi operandi of GOSSIP – 3 posters and 3 performative activations – the project Gossip, Scandal and Good Manners aims to show a joint counter-strategy characterised by diversity, fluidity and intersectionality.
Gossip, Scandal and Good Manners was made possible by funding from Projektförderung Kreuzberg-Friedrichshain.